After being laid off from the local hot dog factory and being inducted into a new basic income program, Mark and Hank have plenty of time on their hands to spend their $3,000 monthly checks on high jinks and foolishness.
Bloomâs protagonist â referred to as âthe Boxerâ in press notes, and frustratingly, nothing at all in the movie â can be seen engaged in a professional boxing bout exactly once in âThe Cut.â During the filmâs brief prologue, the accomplished prizefighter seems well on his way to another victory, when something mysterious and unseen distracts him from off-screen â something in the ether that only he can see â resulting in his opponent getting the upper hand and opening a deep, career-threatening gash above his eye.
Kramer said that updating the approach to awards shows was an ongoing priority but emphasized continued passion by audiences, including younger ones, for film.
And though it was a long time in the making, with some challenges along the way, he ultimately created a piece of work that goes deeper and more personal than ever before, where he talks âabout new things, not just girls or romance on every track.â
He serves up comparable tonic as well for two actors who were a big part not just of the original Beetlejuice but also of Burtonâs Batman movies and Edward Scissorhands: Michael Keaton and Winona Ryder, respectively,â writes The Hollywood Reporter chief film critic David Rooney in his review.
It was directed by William Goldenberg (his first feature), the gifted film editor who edited âArgoâ and âAirâ and (with Dylan Tichenor) âZero Dark Thirty,â and it was produced by Ben Affleck and Matt Damonâs production company, Artists Equity.
âWith Kamala Harris in the White House, the business community can be confident that it will have a President who wants American industries to thrive.â
âMeg is really such a great, sweet person, and really talented, and deserved all of her success,â The Parent Trap alum said.
Malcolmâs lawyers tried every trick in the book to save him, arguing that he was mentally unstable and shouldnât face the death penalty, but the courts didnât buy their story until game-changing evidence was revealed in a diary.
Few would say the same about the undisciplined orphans these four boys play in director David Gordon Greenâs odd-choice Toronto Film Festival opener, âNutcrackersâ: a near-feral wolfpack who depend on their uptight uncle, Michael Maxwell (Ben Stiller), to spare them the indignity of an orphanage after their parents die in a car accident.
The comedy opening TIFF marks Stillerâs first starring role in a movie since Mike Whiteâs Bradâs Status and Noah Baumbachâs Netflix family drama The Meyerowitz Stories in 2017.
The actress, currently seen on Peacockâs thriller limited series Apples Never Fall, joins Nicholas Galitzine (The Idea of You) and Camila Mendes in the adaptation of the popular toy brand first introduced in the 1980s.
Toward the end of Part One, when Baron Harkonnen (Stellan SkarsgĂ„rd) is recovering from his near death in an oil-like mud bath, Bautistaâs Rabban is given his marching orders by his uncle to ramp up spice production and kill the Fremen.
Sophie Dumond (Zazie Beetz), Arthurâs neighbor in Joker, makes a brief appearance when the character is brought in as a witness for the prosecution team led by young assistant district attorney Harvey Dent (Harry Lawtey) before his villainous alter ego Two-Face shows up.
The movie is based on the true story of Gavin Bain and Billy Boyd, two friends from Dundee, Scotland, who conned the music industry by using American accents and pretending to be a Californian rap duo called Silibil Nâ Brains.
While on this enforced break from work, she meets her brother, Jack (Leo Howard) at their father, Max Hightowerâs (Michael Biehn) gym for a fight.
For folks whoâve never heard of Casa Bonita, half the fun comes from discovering this low-quality, medium-concept, high-kitsch fantasyland that had so impressed Parker as a kid â an ersatz old-timey Mexican town conceived of equal parts imagination and bad taste.
