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Venice Film Festival


Nicole Kidman Tears Up at ‘Lioness’ Premiere Talking Red-Hot Career: “Wish My Mama Was Here”

Nicole Kidman Tears Up at ‘Lioness’ Premiere Talking Red-Hot Career: “Wish My Mama Was Here”

She next stars in the second season of Taylor Sheridan‘s Paramount+ series Lioness, which debuts Sunday, and she’s just about to jump in front of cameras on Amazon Studios’ Scarpetta opposite fellow Oscar winners Jamie Lee Curtis and Ariana DeBose and based on the Patricia Cornwell novel.


Angelina Jolie Says ‘Maria’ Biopic Reflects “Darker Times” in Opera Legend’s Life

Angelina Jolie Says ‘Maria’ Biopic Reflects “Darker Times” in Opera Legend’s Life

Pablo Larrain’s biopic Maria, based on true accounts, tells the tumultuous, beautiful and tragic story of the life of the world’s greatest opera singer, relived and reimagined during her final days in 1970s Paris.


Brady Corbet’s Wildly Ambitious Period Epic ‘The Brutalist’ Blows Minds at Venice Premiere, Gets 13-Minute Standing Ovation

Brady Corbet’s Wildly Ambitious Period Epic ‘The Brutalist’ Blows Minds at Venice Premiere, Gets 13-Minute Standing Ovation

The Brutalist chronicles the journey of Hungarian-born Jewish architect, László Tóth (Adrien Brody), who emigrates to the United States in 1947 to experience the “American dream.” Initially forced to toil in poverty, he soon wins a contract with a mysterious and wealthy client, Harrison Lee Van Buren (Guy Pearce), that will change the course of the next 30 years of his life.


Tim Burton Says He “Was a Little Bit Lost” Before Returning to His Roots With ‘Beetlejuice Beetlejuice’

Tim Burton Says He “Was a Little Bit Lost” Before Returning to His Roots With ‘Beetlejuice Beetlejuice’

The Warner Bros. title is tracking to open as high as $80 million at the North American box office when it bows in theaters Sept. 6, according to sources with access to data from leading research firm NRG.


15 Best Golden Lion Winners, Ranked

15 Best Golden Lion Winners, Ranked

That year, the Golden Lion went to eventual Best Picture winner “Nomadland,” a fitting choice that more or less encapsulated the restrained, disillusioned attitude that began to take hold once we learned that this pandemic would go on longer than “just two more weeks.” What shouldn’t be forgotten, however, is that Chloe Zhao’s film captured the moment without itself feeling like a hopeless slog, but rather for the sense of underlying drive for life in the face of changing fortunes.